I just finished Freedom by Jonathan Franzen and am putting some notes here so that I can refer to them at a neighbor’s book club meeting.
The writing deftly captures the spirit of several different decades and when a scene is set in the 1970s or 1980s it seems realistic. Most novelists, e.g., Tolstoy, seem to love their characters. One of the reasons the typical novelist spends so much time writing a book is that he or she is enjoying spending time with the characters. With Franzen one gets the opposite impression. He seems to have contempt for his characters, despite any virtues they might have. If he spent time with them scribbling out 576 pages it is perhaps because he enjoyed feeling superior to all of them.
The novel has a couple of unconventional features. One is that two sections are supposedly diary excerpts by a female character. This is not convincing because the female character writes exactly like… Jonathan Franzen. The second unconventional feature is that Franzen introduces some characters within the last 1/6th of the book. They feel like afterthoughts and why do we want to invest time learning about them when the book is about to end?
One aspect of modern-day American life that Franzen captures is the pervasiveness of government regulation and war in our economy. None of the characters make money by working in a widget factory. One guy is involved in a very lucrative deal that hinges on obtaining government approval to do mountain-top removal mining. Another character is making obscene profits selling junk truck parts to the U.S. forces in Iraq; this would have seen implausible if I hadn’t read Imperial Life in the Emerald City. Others work directly for the government or for non-profit organizations.
According to Wikipedia, Franzen spent his childhood in the Midwest, his college years at an elite liberal arts college outside of Philadelphia, and his adult years in New York City and Santa Cruz, California. For some reason, the novel calls for one character to be an in-your-face racist. He approaches a Caucasian guy having dinner with an Indian-American (South Asian) girl and walks right up to the guy saying “Like the dark meat, do you?” and “I seen what you doing with that nigger girl.” Is the scene set in any of the places that are familiar to Franzen and his friends? No. It happens in a restaurant in West Virginia. The scene doesn’t seem credible to me based on my many trips through West Virginia. Maybe in a fighting bar among drunk patrons at 1 am, but not at 7 pm in an Applebee’s. Perhaps a patron might think an unkind thought about a couple with different skin colors. Perhaps a couple with different skin colors might get some unwelcome stares, but a racist walking right up and saying “nigger” is simply not part of the Applebee’s experience, even in a small town that a fancy New York/California-based writer might regard as benighted.
The book seems well-crafted rather than clever or delightful. A lot of the main characters’ motivations do not seem credible. There is a saintly middle-aged guy whose wife has been depressed for years and sleeps in a separate bedroom. Yet he resists sleeping with his willing 27-year-old beautiful assistant who happens to live in the same townhouse. Franzen and his publicists have been hyping this as the Great 21st Century American Novel, but it falls well short of the standards set in the 20th Century by An American Tragedy and Edith Wharton’s Novels. Let’s hope that the 600 million or so folks who inhabit the U.S. in 2100 can do better (see Census Bureau report for “middle series” estimate of 600 million or so and a “high series” estimate of nearly 1.2 billion).
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