The Children Act by Ian McEwan

The Children Act is the latest from Ian McEwan. It concerns a divorce judge in England who is being ground down by the cases she hears. Here are some samples of the writing style:

It was the larger estates that came to the High Court. Wealth mostly failed to bring extended happiness. Parents soon learned the new vocabulary and patient procedures of the law, and were dazed to find themselves in vicious combat with the one they once loved.

There was a judgment to approve before tomorrow for publication in the Family Law Reports. The fates of two Jewish schoolgirls had already been settled in the ruling she had delivered in court, but the prose needed to be smoothed, as did the respect owed to piety in order to be proof against an appeal.

many Haredim were of modest means. But not the Bernsteins, though they would be when their lawyers’ bills were settled. A grandparent with a share in a patent for an olive-pitting machine had settled money on the couple jointly. They expected to spend everything they had on their respective silks, both women well known to the judge. On the surface, the dispute concerned Rachel and Nora’s schooling. However, at stake was the entire context of the girls’ growing up. It was a fight for their souls.

Parents choosing a school for their children—an innocent, important, humdrum, private affair which a lethal blend of bitter division and too much money had transmuted into a monstrous clerical task, into box files of legal documents so numerous and heavy they were hauled to court on trolleys, into hours of educated wrangling, procedural hearings, deferred decisions, the whole circus rising, but so slowly, through the judicial hierarchy like a lopsided, ill-tethered hot-air balloon. If the parents could not agree, the law, reluctantly, must take the decisions. Fiona would preside with all the seriousness and obedience to process of a nuclear scientist. Preside over what had begun with love and ended in loathing. The whole business should have been handed to a social worker, who could have taken half an hour to reach a sensible decision.

Still, she buried deep in a private mental domain, but never let it affect her decisions, a puritan contempt for the men and women who pulled their families apart and persuaded themselves they were acting selflessly for the best.

The judge loses interest in sex with her husband:

Holding her gaze he said, “You know I love you.” “But you’d like someone younger.” “I’d like a sex life.”

She was not going to dedicate herself under pressure to revive a sensual life she had at that moment no taste for.

And then there is the question of whether or not the judge will become herself a customer of the divorce industry.

IT WAS HER impression, though the facts did not bear it out, that in the late summer of 2012, marital or partner breakdown and distress in Great Britain swelled like a freak spring tide, sweeping away entire households, scattering possessions and hopeful dreams, drowning those without a powerful instinct for survival. Loving promises were denied or rewritten, once easy companions became artful combatants crouching behind counsel, oblivious to the costs. Once neglected domestic items were bitterly fought for, once easy trust was replaced by carefully worded “arrangements.” In the minds of the principals, the history of the marriage was redrafted to have been always doomed, love was recast as delusion. And the children? Counters in a game, bargaining chips for use by mothers, objects of financial or emotional neglect by fathers; the pretext for real or fantasized or cynically invented charges of abuse, usually by mothers, sometimes by fathers; dazed children shuttling weekly between households in coparenting agreements, mislaid coats or pencil cases shrilly broadcast by one solicitor to another; children doomed to see their fathers once or twice a month, or never, as the most purposeful men vanished into the smithy of a hot new marriage to forge new offspring.

McEwan is one of my favorite writers and he manages to deploy his craft to create a convincing tour inside the mind of what we would call a family court judge.

If you’re not familiar with Ian McEwan, I recommend starting with Enduring Love.

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