Submission: Michel Houellebecq on the academic life that he never led

Submission is an impressive achievement because the protagonist is a literature professor and the author says, in the acknowledgments at the end, that he was never either a graduate student or a professor.

Here are a few samples:

Through all the years of my sad youth Huysmans remained a companion, a faithful friend; never once did I doubt him, never once was I tempted to drop him or take up another subject; then, one afternoon in June 2007, after waiting and putting it off as long as I could, even slightly longer than was allowed, I defended my dissertation, “Joris-Karl Huysmans: Out of the Tunnel,” before the jury of the University of Paris IV–Sorbonne. The next morning (or maybe that evening, I don’t remember: I spent the night of my defense alone and very drunk) I realized that part of my life, probably the best part, was behind me. So it goes, in the remaining Western social democracies, when you finish your studies, but most students don’t notice right away because they’re hypnotized by the desire for money or, if they’re more primitive, by the desire for consumer goods (though these cases of acute product-addiction are unusual: the mature, thoughtful majority develop a fascination with that “tireless Proteus,” money itself). Above all they’re hypnotized by the desire to make their mark, to carve out an enviable social position in a world that they believe and indeed hope will be competitive, galvanized as they are by the worship of fleeting icons: athletes, fashion or Web designers, movie stars, and models.

I was poor, and if I’d been given one of those polls that are always trying to “take the pulse of the under-25s,” I would certainly have checked the box marked “struggling.” And yet the morning after I defended my dissertation (or maybe that same night), my first feeling was that I had lost something priceless, something I’d never get back: my freedom. For several years, the last vestiges of a dying welfare state (scholarships, student discounts, health care, mediocre but cheap meals in the student cafeteria) had allowed me to spend my waking hours the way I chose: in the easy intellectual company of a friend.

The academic study of literature leads basically nowhere, as we all know, unless you happen to be an especially gifted student, in which case it prepares you for a career teaching the academic study of literature—it is, in other words, a rather farcical system that exists solely to replicate itself and yet manages to fail more than 95 percent of the time.

all he’d written was a vague dissertation on Rimbaud, a bogus topic if ever there was one, … Millions of dissertations were written on Rimbaud, in every university in France, the francophone countries, and beyond. Rimbaud was the world’s most beaten-to-death subject, with the possible exception of Flaubert, so all a person had to do was look for two or three old dissertations from provincial universities and basically mix them together. Who could check? No one had the resources or the desire to sift through hundreds of millions of turgid, overwritten pages on the voyant by a bunch of academic drones.

My interest in the life of the mind had greatly diminished; my social life was hardly more satisfying than the life of my body; it, too, presented itself as a series of petty annoyances—clogged sink, slow Wi-Fi, points on my license, dishonest cleaning woman, mistakes in my tax return—and these, too, followed one after another without interruption, and almost never left me in peace.

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