Manufacturing Discontent
A California Democrat posted “Holocaust book, Maya Angelou’s autobiography among nearly 400 items pulled from Naval Academy library in DEI purge” (CBS) to a group as an example of an outrage committed by Donald Trump. His introduction to this article: “Ahhhh…shades of the Mao Tse Tung-led purge by the Chinese Communist Party of books they didn’t like during the “cultural revolution”…”. From CBS:
Books on the Holocaust, histories of feminism, civil rights and racism, and Maya Angelou’s famous autobiography, “I Know Why the Caged Bird Sings,” were among the nearly 400 volumes removed from the U.S. Naval Academy’s library this week after Defense Secretary Pete Hegseth’s office ordered the school to get rid of ones that promote diversity, equity and inclusion. … In addition to Angelou’s award-winning tome, the list includes “Memorializing the Holocaust,” which deals with Holocaust memorials..
Some Jewish Democrats in the group agreed with him that these book removals were an outrage on a similar scale to what happened in China during the Cultural Revolution.
Let’s have a look at the very first book of the headline, Memorializing the Holocaust. According to Amazon, the full title includes the word “Gender“, a word that appears 15 times on the selling page, and the book is properly categorized in “General Gender Studies”. The author is “Professor of Sociology and Women and Gender Studies”. Here’s the Amazon description:
How do collective memories of histories of violence and trauma in war and genocide come to be created? Janet Jacobs offers new understandings of this crucial issue in her examination of the representation of gender in the memorial culture of Holocaust monuments and museums, from synagogue memorials and other historical places of Jewish life, to the geographies of Auschwitz, Majdanek and Ravensbruck. Jacobs travelled to Holocaust sites across Europe to explore representations of women. She reveals how these memorial cultures construct masculinity and femininity, as well as the Holocaust’s effect on stereotyping on grounds of race or gender. She also uncovers the wider ways in which images of violence against women have become universal symbols of mass trauma and genocide. This feminist analysis of Holocaust memorialization brings together gender and collective memory with the geographies of genocide to fill a significant gap in our understanding of genocide and national remembrance.
The book is so important to our wider culture and has touched its readers so deeply that, after 15 years on Amazon, it has garnered exactly zero reviews. (Maybe it is required reading in some college-level gender studies courses? The book is “57,829 in Books” for sales, much higher than Queer Black Dance, featured in an independent bookstore.)
I find the CBS article and the reaction to it interesting because they show how easily discontent can be manufactured by our media. Nobody in the group, other than me, bothered to find out whether the “Holocaust book” was about the Holocaust. All of the Democrats accepted CBS’s headline characterization of the book and reflexively condemned Trump and Hegseth.
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