Gender equality in writing TV shows
“The ‘Golden Age for Women in TV’ Is Actually a Rerun” is a NYT op-ed by Nell Scovell, the professional writer who created Sheryl Sandberg’s Lean In. According to Scovell, there are a lot of women writers behind today’s TV shows, but this might not last:
In this sense, gender inequality resembles a bacterial infection two days into a 10-day course of antibiotics. The patient’s temperature may be down, but the Mayo Clinic’s website warns: “It is tempting to stop taking an antibiotic as soon as you feel better. But the full treatment is necessary to kill the disease-causing bacteria. Failure to do so can result in the need to resume treatment later.”
Gender inequality is still in our bloodstream, and when we stop fighting it, the bacteria multiply. We need aggressive treatment that leads to more than incremental progress.
I fantasize about the networks’ making a rule that each show’s writing staff needs to reflect the gender and racial makeup of its audience.
[See this posting on antibiotic duration for why you shouldn’t take medical advice from the NYT Op-Ed section]
I’m wondering why gender is the most important factor. If we are entitled to watch TV shows written by people “like us” aren’t there other important dimensions? Should there be a channel for 52-year-olds that runs TV shows written by 52-year-olds? How about immigrants from Laos? There is plenty of cable bandwidth. Why can’t they have comedies written by fellow immigrants from Laos?
[Readers would be disappointed if I didn’t point out that, to the extent Scovell is concerned that women in the future will not have the opportunity to earn the income of a TV writer, Real World Divorce shows how a woman who has sex with three TV writers will have, via a thoughtfully chosen state’s child support formula (equally applicable to one-night encounters), roughly the same spending power as if she had gone to college and worked as a TV writer.]
It will be interesting to see if the New York Times follows its own scolding. A 60-year-old is a typical American newspaper reader (Pew data; Wikipedia). Is the Times eager to hire and retain 60-year-old writers? (as of a year ago, the Times was doing the opposite, encouraging older workers to take buyout packages (source))
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